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New Cinematographers, by Alex Ballinger
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A cinematographer's skill can make or break a film's overall look, and yet cinematographers are legendarily reticent to discuss their craft.New Cinematographers meets this challenge, featuring the the work of six major, young, contemporary cinematographers whose vision defines the way films look today. Extended studies of each cinemotagrapher's work -- fully illustrated with stills, lighting charts and storyboards -- help show the how each translates their aesthetic vision into the actual filmed work. The book includes a detailed resource section, an annotated bibliography and detailed technical glossary.
- Sales Rank: #534984 in Books
- Brand: Brand: Harper Design
- Published on: 2004-10-12
- Released on: 2004-10-12
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 9.50" w x .75" l, 2.42 pounds
- Binding: Paperback
- 192 pages
- Used Book in Good Condition
About the Author
Alex Ballinger is an expert on film and the series editor for two forthcoming series of books on film: "On Directors" and "Inside Film."
Most helpful customer reviews
1 of 1 people found the following review helpful.
Informations from cinematographers to cinematographers
By andrekobashi
Book concentrates information about the producing of a movie through the DOP's point of view. The text analyses how the crew hit the wished image look and why cinematographer purposed this look. Also lists the crew under the cinematographer command like 1st Camera Assistant and Chef Electrician.
0 of 0 people found the following review helpful.
Great Anecdotes
By SB
This book really allows for one to be brought into the life of these cinematographers as they share their experiences and thoughts in this book.
0 of 0 people found the following review helpful.
An invaluable guide to the art of the moving camera
By Nate
"New Cinematographers" is a beautifully produced and packaged book, full of insights into what goes on in the mind of some of the most creative and interesting cinematographers working today. There are sections devoted to each of several new cinematographers, and chapters on several of the films they worked on. Readers of the book basically get to look at refined notes by some of the contemporary masters of cinema (Lance Acord - Buffalo '66, Being John Malkovich, Lost in Translation; Jean-Yves Escoffer - Lovers on the Bridge, Gummo, Good Will Hunting; Darius Khondji - Delicatessen, Se7en; John Mathieson - Gladiator, Matchstick Men; Seamus McGarvey - High Fidelity, The Hours; and Harris Savides - The Game, Elephant), whose names are not as well known as the directors of the films they worked on, but who ought to be -- as this book makes abundantly clear, the body of work to which each of these cinematographers contributed bears the mark of their creative talents just as much as it bears the stamp of their directors or writers. The list of films covered reads like a catalog of all of the most visually compelling works by the most creative directors of the past decade (Being John Malkovich, Seven, Elephant, The City of Lost Children, etc.). There are pictures, diagrams, scripts, notes, all included to flesh out the process they went through in each film, and accompanied by an incredible wealth of detail about the filmmaking process, their experience with the director, their methods for planning for each shoot, their reflections on their craft, specific explanations on how they achieved some of the most interesting shots, and details about difficulties faced during each shot. Some of the most illuminating bits include some of the various reflections on how to capture the distinctiveness of particular faces, or how and why they decided to manipulate the look of a particular actor. Reading through this book is not only exciting and intriguing for me as a lover of film, but was also extremely rewarding in the wealth of insights it gave me into the decision-making process of a wide range of experts. This is an exceptional and extremely valuable book, well worth owning.
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